An album title has never been so self-prophetic? In its first year, this work is fired electropop of unknown lounge singer Lady Gaga from New York to the biggest pop star in the world on this side of Britney Spears. The mark of Fame is unabashedly decadent population: 11 of its 13 songs are about money, fame, sex, clubs, or a sticky combination of the four. It is tasteless material, unless you feel less like a fool Gaga, blonde made a great artist in the role of a glamorous pop star. Witness opening songs impeccably elegant fame, from the labyrinthine neglect chorus of "Just Dance" with the fast pace, futuristic "Poker Face": Gaga is outrageous clothes and dance moves into a science, but in the end, music is aggressive and authoritarian manner than most other Top 40 tracks are not. Often compared to that of Gwen Stefani, are actually Gaga voice richer and more rounded, allowing for a versatility of style and certain characters for the wild party boy lover vulnerable. Some risks do not always pay, but the Lady Gaga, burning the dark megahit "Poker Face" prevails. She requisitioned enough, strange and alluring enough to ensure that she will enjoy our attention for a very long time.
Monday, November 16, 2009
The Fame Monster [Deluxe Edition] by Lady Gaga : CD released on 11/23/2009
An album title has never been so self-prophetic? In its first year, this work is fired electropop of unknown lounge singer Lady Gaga from New York to the biggest pop star in the world on this side of Britney Spears. The mark of Fame is unabashedly decadent population: 11 of its 13 songs are about money, fame, sex, clubs, or a sticky combination of the four. It is tasteless material, unless you feel less like a fool Gaga, blonde made a great artist in the role of a glamorous pop star. Witness opening songs impeccably elegant fame, from the labyrinthine neglect chorus of "Just Dance" with the fast pace, futuristic "Poker Face": Gaga is outrageous clothes and dance moves into a science, but in the end, music is aggressive and authoritarian manner than most other Top 40 tracks are not. Often compared to that of Gwen Stefani, are actually Gaga voice richer and more rounded, allowing for a versatility of style and certain characters for the wild party boy lover vulnerable. Some risks do not always pay, but the Lady Gaga, burning the dark megahit "Poker Face" prevails. She requisitioned enough, strange and alluring enough to ensure that she will enjoy our attention for a very long time.
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